{"id":10999,"date":"2026-10-30T15:59:56","date_gmt":"2026-10-30T14:59:56","guid":{"rendered":"https:\/\/www.illuminens.com\/?p=10999"},"modified":"2026-10-31T22:03:05","modified_gmt":"2026-10-31T21:03:05","slug":"le-couloir-halloween-2026","status":"publish","type":"post","link":"https:\/\/www.illuminens.com\/en\/le-couloir-halloween-2026\/","title":{"rendered":"Quand l’architecture devient le d\u00e9cor d’une fiction<\/strong>
Le Couloir\u00a0: anatomie d’un petit film d’horreur"},"content":{"rendered":"

[vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”142633″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ gutter_size=”3″ style=”light” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”342553″][\/vc_column][\/vc_row][vc_row unlock_row=”” row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”4″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”90″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”834384″][vc_column column_width_percent=”80″ gutter_size=”1″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”138573″][vc_custom_heading heading_semantic=”h1″ text_size=”h1″ uncode_shortcode_id=”162386″ el_class=”justify”]Quand l’architecture devient le d\u00e9cor d’une fiction[\/vc_custom_heading][vc_custom_heading text_color=”color-368231″ text_size=”h3″ text_weight=”800″ uncode_shortcode_id=”194387″ el_class=”justify” text_color_type=”uncode-palette”]Le Couloir : anatomie d’un petit film d’horreur[\/vc_custom_heading][vc_empty_space empty_h=”3″][vc_column_text text_lead=”yes” uncode_shortcode_id=”196214″]\u00c0 l’origine de ce petit film, il y avait une commande tout \u00e0 fait s\u00e9rieuse. Et quelques essais de d\u00e9coration qui ont fini par prendre une tournure inattendue\u2026<\/em>[\/vc_column_text][vc_empty_space empty_h=”1″][uncode_button btn_type=”textual” btn_link_size=”h5″ custom_typo=”yes” font_family=”font-945717″ font_weight=”600″ icon_src=”picker” icon_position=”before” icon_gap=”4px” icon_rotation=”0″ icon_animation=”leaving” button_text_color=”color-368231″ icon_color=”color-368231″ btn_link_underline=”btn-underline-in” btn_underline_width=”2″ btn_underline_gap=”10″ lbox_transparency=”opaque” lbox_full=”yes” icon=”fa fa-video-camera” button_text_color_type=”uncode-palette” button_text_hover_type=”uncode-solid” icon_color_type=”uncode-palette” icon_hover_type=”uncode-solid” icon_wrapper_hover_type=”uncode-solid” media_lightbox=”11265″ uncode_shortcode_id=”198472″]Voir le film[\/uncode_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”3″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”205626″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ mobile_width=”7″ width=”6\/12″ el_class=”image-card image-card-triple” uncode_shortcode_id=”271573″][vc_single_image media=”7911″ media_width_percent=”100″ media_ratio=”one-one” alignment=”right” shape=”img-round” radius=”lg” shadow=”yes” shadow_weight=”std” uncode_shortcode_id=”826860″][vc_single_image media=”7484″ media_width_percent=”100″ media_ratio=”one-one” alignment=”right” shape=”img-round” radius=”lg” shadow=”yes” shadow_weight=”std” css_animation=”parallax” parallax_intensity=”2″ uncode_shortcode_id=”976323″][vc_single_image media=”7518″ media_width_percent=”100″ media_ratio=”one-one” alignment=”right” shape=”img-round” radius=”lg” shadow=”yes” shadow_weight=”std” css_animation=”parallax” parallax_intensity=”3″ uncode_shortcode_id=”108858″][\/vc_column][vc_column column_width_percent=”100″ position_horizontal=”left” position_vertical=”middle” gutter_size=”4″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ align_mobile=”align_center_mobile” mobile_width=”7″ width=”6\/12″ uncode_shortcode_id=”188651″][vc_custom_heading text_color=”color-368231″ uncode_shortcode_id=”403513″ text_color_type=”uncode-palette”]Un couloir, plusieurs histoires\u2026[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”588302″]Pour le projet The Babel Community \u00e0 Massy, Jacques Le Du, de Querencia Architectes, m’avait d\u00e9j\u00e0 confi\u00e9 la r\u00e9alisation de plusieurs perspectives, notamment une chambre et la cour int\u00e9rieure de l’\u00e9tablissement.<\/p>\n

Il m’a ensuite demand\u00e9 de travailler sur la d\u00e9coration des couloirs desservant les chambres. The Babel Community poss\u00e8de une charte bien d\u00e9finie : murs anthracite, cimaises et moquette claire. L’ensemble est \u00e9l\u00e9gant, mais nous souhaitions explorer quelques alternatives.[\/vc_column_text][vc_button button_color=”color-368231″ border_animation=”btn-ripple-out” shadow=”yes” border_width=”0″ link=”url:https%3A%2F%2Fwww.illuminens.com%2Fportfolio%2Fthe-babel-community%2F|title:The%20Babel%20Community|target:_blank” icon=”fa fa-image” button_color_type=”uncode-palette” uncode_shortcode_id=”557179″]Voir Portfolio[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”2″ bottom_padding=”4″ overlay_alpha=”50″ equal_height=”justify” gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”flow-opacity” bottom_divider=”tilt” content_parallax=”0″ uncode_shortcode_id=”173412″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”4″ style=”light” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”677750″][vc_column_text uncode_shortcode_id=”168513″]J’avais organis\u00e9 ma maquette 3D pour faire varier facilement les mat\u00e9riaux et les couleurs. Nous avons donc multipli\u00e9 les essais : bleu nuit, carbone et ivoire, cimaises dor\u00e9es\u2026 Certaines propositions \u00e9taient convaincantes, d’autres un peu moins.<\/p>\n

Puis, au fil des discussions \u2014 un verre de Chablis aidant peut-\u00eatre \u2014, les recherches ont commenc\u00e9 \u00e0 s’\u00e9loigner du cahier des charges : un couloir de pub irlandais, une interpr\u00e9tation inspir\u00e9e du \u00ab\u00a0Grand Budapest Hotel\u00a0\u00bb de Wes Anderson, une autre \u00e9voquant les couleurs d\u2019 \u00ab\u00a0Asteroid City\u00a0\u00bb\u2026 Nous prenions manifestement plus de plaisir \u00e0 imaginer des versions improbables qu’\u00e0 choisir une nouvelle teinte de peinture !<\/p>\n

Finalement, The Babel Community a conserv\u00e9 sa d\u00e9coration d’origine. Et je dois reconna\u00eetre que c’\u00e9tait probablement le meilleur choix.<\/p>\n

Le couloir n’avait pas chang\u00e9. Pourtant, selon sa lumi\u00e8re et ses couleurs, il semblait raconter des histoires tr\u00e8s diff\u00e9rentes. J’avoue avoir ressenti une certaine frustration \u00e0 l’id\u00e9e que toutes ces exp\u00e9rimentations allaient finir dans un dossier d’archives, au fond d’un disque dur.[\/vc_column_text][vc_gallery el_id=”gallery-181531″ type=”css_grid” medias=”11083,11088,11087,11085,11086,11089,11091,11090″ screen_lg_items=”4″ screen_lg_breakpoint=”1000″ screen_md_items=”4″ screen_md_breakpoint=”800″ screen_sm_items=”2″ screen_sm_breakpoint=”600″ gutter_size=”2″ single_text=”under” single_shape=”round” radius=”std” single_overlay_color=”color-jevc” single_overlay_coloration=”bottom_gradient” single_overlay_opacity=”20″ single_overlay_visible=”yes” single_image_anim=”no” single_h_align=”center” single_padding=”2″ single_icon=”fa fa-plus2″ single_shadow=”yes” single_border=”yes” single_css_animation=”alpha-anim” single_animation_speed=”600″ lbox_transparency=”opaque” lbox_transition=”lg-fade” uncode_shortcode_id=”624511″][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”7\/12″ uncode_shortcode_id=”162805″][uncode_flexbox direction=”column” justify=”space-between” max_width=”580px” height=”100%” el_class=”flex-full-height”][vc_single_image media=”7913″ media_lightbox=”yes” media_width_percent=”100″ alignment=”center” shape=”img-round” radius=”lg” advanced=”yes” media_items=”media|original,icon|md” media_overlay_color=”color-jevc” media_overlay_coloration=”bottom_gradient” media_overlay_opacity=”20″ media_overlay_visible=”yes” media_image_anim=”scroll” media_image_scroll_val=”4″ image_scroll_no_mobile=”yes” media_h_align=”center” media_h_position=”center” media_padding=”2″ media_icon=”fa fa-plus2″ lbox_transparency=”opaque” lbox_title=”yes” uncode_shortcode_id=”121751″ media_overlay_color_type=”uncode-palette”][vc_column_text text_color=”color-368231″ uncode_shortcode_id=”454456″ text_color_type=”uncode-palette”]De mon c\u00f4t\u00e9, j’ai tent\u00e9 une ambiance enti\u00e8rement rouge, quelque part dans l’univers de Twin Peaks de David Lynch.[\/vc_column_text][\/uncode_flexbox][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”4″ bottom_padding=”3″ back_color=”color-rgdb” overlay_alpha=”50″ equal_height=”justify” gutter_size=”6″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”422399″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”4″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ align_mobile=”align_center_mobile” mobile_width=”7″ width=”1\/1″ uncode_shortcode_id=”207482″][vc_custom_heading text_color=”color-368231″ uncode_shortcode_id=”679783″ text_color_type=”uncode-palette”]Et si le couloir devenait inqui\u00e9tant\u00a0?[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”0″ bottom_padding=”3″ back_color=”color-rgdb” overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”671892″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”4″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”168903″][vc_column_text text_color=”color-713812″ uncode_shortcode_id=”168740″ text_color_type=”uncode-palette”]D\u00e8s la r\u00e9alisation de la perspective initiale, j’avais commenc\u00e9 \u00e0 jouer avec l’atmosph\u00e8re du lieu. Toutes les portes \u00e9taient ferm\u00e9es et l’ensemble me paraissait un peu froid. J’avais donc ajout\u00e9 des appliques \u00e0 lumi\u00e8re tr\u00e8s chaude, absentes de la charte initiale, puis entrouvert une porte pour laisser s’\u00e9chapper la lumi\u00e8re d’une chambre.<\/p>\n

Ce qui n’\u00e9tait au d\u00e9part qu’un choix de composition introduisait d\u00e9j\u00e0 une forme de myst\u00e8re. Une porte ouverte dans un couloir, c’est une invitation \u00e0 regarder au-del\u00e0. On se demande instinctivement ce qui se trouve derri\u00e8re.<\/p>\n

Il ne restait plus qu’\u00e0 laisser cette porte s’ouvrir toute seule\u2026<\/span><\/strong><\/p>\n

Ainsi, une id\u00e9e avait commenc\u00e9 \u00e0 germer\u00a0: et si ces diff\u00e9rentes ambiances pouvaient se succ\u00e9der au cours d’une animation\u00a0? Puisque je disposais d\u00e9j\u00e0 du mod\u00e8le 3D, pourquoi ne pas en faire autre chose qu’une simple perspective ou une galerie de variantes\u00a0?<\/p>\n

La version \u00ab\u00a0David Lynch\u00a0\u00bb m’inspirait beaucoup. Et si le couloir devenait inqui\u00e9tant, voire carr\u00e9ment flippant\u00a0? Juste en changeant de couleur\u00a0!
\nJe suis donc reparti de la version anthracite retenue pour le projet, sans modifier fondamentalement l’architecture. Pour animer ce d\u00e9cor, je disposais finalement de peu de moyens\u00a0: d\u00e9placer la cam\u00e9ra, faire bouger quelques portes et modifier les \u00e9clairages. Pas de personnage visible, pas de cr\u00e9ature surgissant de l’ombre. Tout devait \u00eatre sugg\u00e9r\u00e9.<\/p>\n

Le principe du film est simple\u00a0: une cam\u00e9ra subjective nous place \u00e0 la hauteur d’un personnage qui avance dans un couloir d’h\u00f4tel. Une porte se referme derri\u00e8re lui. Une autre s’ouvre toute seule. Les lumi\u00e8res commencent \u00e0 se comporter \u00e9trangement\u2026<\/p>\n

Il ne se passe finalement pas grand-chose \u00e0 l’image. Mais c’est justement ce qui m’int\u00e9ressait\u00a0: cr\u00e9er une inqui\u00e9tude sans montrer ce qui la provoque.
\nLe mouvement de cam\u00e9ra devient alors essentiel. Il doit sugg\u00e9rer la marche, l’h\u00e9sitation, le retournement, puis la fuite, sans jamais montrer le personnage. Il ne sert plus seulement \u00e0 parcourir un espace : il raconte une histoire.[\/vc_column_text][\/vc_column][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ mobile_width=”0″ width=”7\/12″ uncode_shortcode_id=”561460″][uncode_flexbox direction=”column” max_width=”580px” height=”100%” gap=”18px”][vc_gallery el_id=”gallery-1159655″ type=”carousel” medias=”11084,11083,7911″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”3″ media_items=”media|lightbox|original,icon|md” carousel_type=”fade” carousel_interval=”0″ carousel_navspeed=”700″ carousel_loop=”yes” stage_padding=”0″ single_back_color=”color-jevc” single_shape=”round” radius=”lg” single_overlay_color=”color-jevc” single_overlay_coloration=”bottom_gradient” single_overlay_opacity=”15″ single_overlay_visible=”yes” single_image_anim=”no” single_h_align=”center” single_padding=”2″ single_icon=”fa fa-plus2″ single_border=”yes” lbox_transparency=”opaque” lbox_transition=”lg-fade” uncode_shortcode_id=”119778″][uncode_carousel_nav skin=”dark” padding=”0″ h_align=”center” arrow_style=”transparent” arrow_bg_size=”no” icon=”fa fa-arrow-right2″ arrow_size=”fa-075x” animated_arrows=”default” dots_style=”lines” dots_look=”raw” hide_counter=”yes” uncode_shortcode_id=”696649″ dot_single_width=”2px” dot_single_active=”16px” dot_single_space=”8px” dot_single_radius=”2px” dot_single_height=”2px” target=”gallery-1159655″][\/uncode_flexbox][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”4″ bottom_padding=”0″ back_color=”color-101759″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”179910″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ position_horizontal=”right” align_horizontal=”align_right” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_left_tablet” medium_width=”0″ align_mobile=”align_left_mobile” mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”516708″][vc_custom_heading uncode_shortcode_id=”910818″]Le son\u00a0: plus qu’un simple habillage[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”2″ bottom_padding=”4″ back_color=”color-101759″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ inverted_device_order=”yes” content_parallax=”0″ uncode_shortcode_id=”642708″ back_color_type=”uncode-palette” el_class=”audio-section”][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ mobile_width=”7″ width=”7\/12″ uncode_shortcode_id=”236552″][vc_gallery el_id=”gallery-1943405″ type=”css_grid” medias=”11196,11197,11204,11194,11193,11191,11198,11189,11201,11211,11205,11210,11200,11209,11202,11203,11207,11206″ grid_items=”3″ screen_lg_items=”2″ screen_lg_breakpoint=”1300″ screen_md_items=”2″ screen_md_breakpoint=”750″ screen_sm_items=”1″ screen_sm_breakpoint=”500″ gutter_size=”3″ css_grid_equal_height=”yes” media_items=”media|nolink|original,title” single_text=”under” single_style=”dark” single_shape=”round” radius=”xl” single_overlay_color=”color-201592″ single_overlay_coloration=”top_gradient” single_overlay_opacity=”100″ single_overlay_visible=”yes” single_text_anim=”no” single_image_anim=”no” single_padding=”2″ single_text_reduced=”yes” single_title_semantic=”p” single_title_family=”font-945717″ single_shadow=”yes” shadow_weight=”sm” shadow_darker=”yes” single_border=”yes” uncode_shortcode_id=”103855″ el_class=”audio-gallery”][vc_custom_heading text_color=”color-713812″ heading_semantic=”p” text_font=”font-945717″ text_size=”fontsize-118104″ uncode_shortcode_id=”960865″ text_color_type=”uncode-palette”]NB. Vous pouvez jouer plusieurs sons en m\u00eame temps. Enjoy ![\/vc_custom_heading][\/vc_column][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”0″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”7″ align_mobile=”align_center_mobile” mobile_width=”7″ width=”5\/12″ uncode_shortcode_id=”143237″][vc_column_text text_color=”color-836323″ uncode_shortcode_id=”208926″ el_class=”quote-blanc” text_color_type=”uncode-palette”]Une fois les images calcul\u00e9es et mont\u00e9es, il restait un probl\u00e8me de taille : sans le son, mon couloir n’avait franchement rien de tr\u00e8s effrayant.<\/p>\n

J’avais d\u00e9j\u00e0 r\u00e9alis\u00e9 quelques sonorisations pour des films d’architecture, mais jamais avec une telle intention dramatique. Il a donc fallu exp\u00e9rimenter.<\/p>\n

J’ai commenc\u00e9 par les \u00e9l\u00e9ments les plus concrets : les pas sur la moquette, les portes, la poign\u00e9e, le grincement des gonds, la ventilation. Puis sont venues les ambiances plus sourdes, les grondements, les respirations et les battements de c\u0153ur.<\/p>\n

Un bruit presque imperceptible peut installer une tension. Un silence soudain peut la renforcer. Et quelques secondes plus tard, un son brutal peut transformer un simple changement d’\u00e9clairage en v\u00e9ritable sursaut.<\/p>\n

La bande-son a progressivement pris une place consid\u00e9rable dans la mise en sc\u00e8ne. Elle sugg\u00e8re ce que l’image ne montre pas et donne une pr\u00e9sence \u00e0 ce qui demeure invisible.<\/p>\n

Le plus int\u00e9ressant \u00e9tait de comprendre quand faire intervenir les sons, \u00e0 quelle intensit\u00e9, et surtout quand les faire dispara\u00eetre. \u00c0 certains moments, j’ai eu l’impression de fabriquer davantage le film avec mes oreilles qu’avec mes yeux !<\/p>\n

J’ai surtout constat\u00e9 \u00e0 quel point la bande-son pouvait transformer la perception d’une m\u00eame s\u00e9quence. Avec d’autres choix sonores, ce couloir aurait pu devenir simplement myst\u00e9rieux, inqui\u00e9tant, voire franchement absurde.<\/p>\n

Halloween fournissait un pr\u00e9texte id\u00e9al pour pousser l’exp\u00e9rience plus loin et jouer pleinement avec les codes du cin\u00e9ma d\u2019horreur.<\/em><\/p><\/blockquote>\n

[\/vc_column_text][vc_empty_space empty_h=”2″ desktop_visibility=”yes”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”4″ bottom_padding=”4″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ top_divider=”flow-opacity” bottom_divider=”tilt” content_parallax=”0″ uncode_shortcode_id=”628560″][vc_column column_width_percent=”100″ position_horizontal=”left” gutter_size=”0″ style=”light” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”5\/12″ uncode_shortcode_id=”698168″][vc_custom_heading text_color=”color-368231″ uncode_shortcode_id=”833400″ text_color_type=”uncode-palette”]Une petite exp\u00e9rience,
\net quelques perspectives\u2026[\/vc_custom_heading][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”180624″ el_class=”lien-article-gris quote-gris”]L’animation et les rendus ont \u00e9t\u00e9 r\u00e9alis\u00e9s sans g\u00e9n\u00e9ration vid\u00e9o par intelligence artificielle. L’IA g\u00e9n\u00e9rative est toutefois intervenue ponctuellement pour r\u00e9interpr\u00e9ter le logo ILLUMINENS sous la forme d’un graffiti, ensuite retravaill\u00e9 dans Photoshop.[\/vc_column_text][vc_empty_space empty_h=”1″][vc_single_image media=”11348″ media_width_percent=”100″ alignment=”center” shape=”img-round” radius=”xl” css_animation=”alpha-anim” lbox_transparency=”opaque” uncode_shortcode_id=”446417″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”104211″ el_class=”lien-article-gris quote-gris”]Ce petit film n’avait aucune autre ambition que celle de m’amuser et d’explorer quelques possibilit\u00e9s de l’animation.<\/p>\n

Mais il m’a aussi rappel\u00e9 \u00e0 quel point notre m\u00e9tier ne consiste pas seulement \u00e0 repr\u00e9senter une architecture. Une m\u00eame maquette, un m\u00eame d\u00e9cor peuvent susciter des impressions radicalement diff\u00e9rentes selon la mani\u00e8re dont on les \u00e9claire, dont on les parcourt et dont on les met en sc\u00e8ne.<\/span><\/strong><\/p>\n

Au d\u00e9part, nous cherchions simplement une autre couleur pour les murs d’un couloir d’h\u00f4tel.
\nQuelque temps plus tard, je cherchais \u00e0 en faire un endroit o\u00f9 personne n’aurait envie de mettre les pieds.<\/p>\n

 <\/p>\n

Projet : The Babel Community, Massy \u2014 Querencia\u00a0Architectes
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